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・ Hugo de Porta Ravennate
・ Hugo de Pree
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・ Hugo de Waal
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Hugo Distler
・ Hugo Distler (figure skater)
・ Hugo Dittberner
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・ Hugo Dorrego
・ Hugo Drax
・ Hugo Droguett
・ Hugo Duarte
・ Hugo Dummett
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・ Hugo Díaz
・ Hugo Díaz (footballer)
・ Hugo E. G. Hamilton


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Hugo Distler : ウィキペディア英語版
Hugo Distler

Hugo Distler (Nuremberg, June 24, 1908 – Berlin, November 1, 1942)〔Slonimsky & Kuhn, ''Baker's Biographical Dictionary of Musicians'', v. 2, p. 889〕 was a German organist, choral conductor, teacher and composer.
==Life and career==
Born in Nuremberg, he attended Leipzig Conservatory from 1927 to 1931, first as a conducting student with piano as his secondary subject, but changing later, on the advice of his teacher, to composition and organ. He studied there with Martienssen (piano), Ramin (organ) and Grabner (harmony).〔
He became organist at St. Jacobi in Lübeck in 1931. In 1933 he married Waltraut Thienhaus. That same year he joined the NSDAP (National Socialist German Workers' Party), reluctantly, as his continued employment depended on his doing so. In October 1933 Distler was appointed head of the chamber music department at the Lübeck Conservatory, and at about the same time he began teaching at the Spandauer Kirchenmusikschule (Spandau school of church music.〔Klaus L. Neumann, "Hugo Distler," Grove online〕
In 1937 Distler was appointed as a lecturer at the Württemberg Hochschule für Musik in Stuttgart, where he also directed its two choirs. In 1940 he moved to Berlin to teach and conduct at the Hochschule für Musik there, and in 1942 he was named the conductor of the State and Cathedral Choir.〔
He became increasingly depressed from the deaths of friends, aerial attacks, job pressures, and the constant threat of conscription into the German Army, causing him to commit suicide in Berlin at the age of 34.〔Dietrich Bonhoeffer, p. 371〕 However, his suicide was probably not a direct result of antagonistic government pressure; "rather, it appears that he saw the futility of attempting to serve both God and Nazis, and came to terms with his own conscience unequivocally."〔Strimple, ''Choral Music in the Twentieth Century'', p. 39〕

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